035 By Myself 3

TEXT: Arthur Schwartz and Howard Dietz
TEXT: Doug McKenzie [email protected]
TEXT: A 'semi modal'  song.
TEXT: The Form is AAB.
TEXT: The first 8 bars of the A section lend themselves to a single scale  approach (=modal). Several approaches work well:
TEXT: * An  A  phrygian scale. (Over the A chord use the notes of  F major scale. For chords to accompany play an A7b9sus4 chord. (A Bb D E G) or perhaps Bb/A or Em7b5/A - or string together a series of diatonic chords from the   F major scale.
TEXT: *  half tone/whole tone diminished scale. For chords over the A chord play any dominant type chords from this scale (E.g  A13 or  A7#9, or C13  or C7#9 or Eb13 or Eb7#9 or F#13 or F#7b9 - or string together a series of chords from the diminished scale.
TEXT: * Over the A chord play D harmonic minor - beginning on A (A Bb C# D E F G A)  - Accompany with an A7b9 chord or a series of chords from this scale.
TEXT: The first four bars of the B section are E phrygian.  - similar scale options to the above - transposed of course.
TEXT: The next 4 bars of the B section are D phrygian. - similar scale options to the above  - transposed of course.
MARKER: First 8 bars on A7 using the Diminished(Whole/half tone) scale
MARKER: LH plays chords from A dim scale C7#9 (=F#13), Eb7 #9 (= A13), F#7 #9 (=C13) A7 #9 (=Eb13)
MARKER: C13
MARKER: Descending D harmonic minor scale
MARKER: Ascending A 7 dim scale (Whole/half tone)
MARKER: Pattern made from same Dim scale
MARKER: Dim scale pattern
MARKER: Descending Phygian scale (= F major scale) on A7 chord
MARKER: Pattern made from diatonic triads from within the F major scale
MARKER: E phrygian (= Cmaj scale) on E7susb9
MARKER: Just uses Thumb and index finger to play up white notes
MARKER: D phrygian (= BbMajor scale) over D7sus b9
MARKER: Arpeggiated  3note 13th chords from within the A7 dim scale
MARKER: Ascending dim scale again
MARKER: Figure based on Bb triad arpegio with upper diatonic neighbours
MARKER: Another figure using notes from the A7 dim scale - the pattern descends in minor thirds
MARKER: Line based on F triad notes (C, A, F) with lower neighbours
MARKER: On E7sus b9, series of chords from E7 dim scale
MARKER: G/Ab
MARKER: Bb/Cb
MARKER: Db/D
MARKER: E/F
MARKER: Series of chords that have F as a common tone
MARKER: Bm7b5
MARKER: Bbm7
MARKER: Am7 #5
MARKER: Ab13
MARKER: Gm7
MARKER: Gb Maj7 add6
MARKER: F Maj7
  • Path: Disklavier Jazz 1/035-By Myself 3.mid
  • Size: 29 KB
  • Updated: February 10, 2026

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