202 Poinciana

TEXT: [email protected].    http://home.wanadoo.nl/dougmckenzie/    This is the classic way to do this song - originally done by Ahmad Jamal - but 'covered' by Keith Jarret, and also Michel Camilo.
MARKER: Introduction
MARKER: Bass plays figure right through intro and 1st chorus
MARKER: Little chordal device repeated each time in Bridge
MARKER: Much copied latin type bass figure on dominant chord
MARKER: LH chords play in a 'clave' like pattern in gaps between melody
MARKER: On Drums, ride plays on off-beat (2 and 4) only
MARKER: Bass continues more freely - but with chord root on beat 1 - gap - then rest of figure
MARKER: arpeggiated 4ths
MARKER: More arpeggiated 3 note 4th chords
MARKER: Piano anticipates the chords of the Bridge
MARKER: One of the 'riffy' figures used by Ahmad Jamal
MARKER: Typical Jamal device - set up a pattern -then leave out the last repetition
MARKER: Fill in the rest yourself!
MARKER: Another melodic figure used by Jamal in the original recording
MARKER: Bridge is now Bb7sus instead of Fm7
MARKER: Bb7 sus
MARKER: Latin bass figure played in unison without chord
MARKER: Same melodic figure over 'A' section
MARKER: Yet another  little melodic figure repeated
MARKER: Return to original Bridge chords
MARKER: Intro again
  • Path: Disklavier Jazz 3/202-Poinciana.mid
  • Size: 40 KB
  • Updated: February 10, 2026

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