Howd (Solo)

TEXT: Played in real time - [email protected]
TEXT: Lots of ideas borrowed from Roger Kellaway's version on his 'Maybeck Hall' recital solo CD.
MARKER: Opening phrase LH & RH in unison
MARKER: On Am7b5 descending run - easy to execute
MARKER: Resolves by surrounding 3rd of Gm
MARKER: On Gm7 arpeggiated perfect 4ths - C,F,Bb
MARKER: On Gb7 diminished half/whole step runn
MARKER: On Fm7 - dorian (Eb major scale) ascending
MARKER: continued on Fm7 - descending Fm pentatonic scale
MARKER: Finishes on root of Bb7 chord
MARKER: On Bb7b9 easy 2 handed ascending run - LH on Black, RH on white notes
MARKER: Continue on Bb7 descending sequence of notes based on diminished scale
MARKER: Parallel tenths rising to tonic (DbMaj,DMaj,EbMaj)
MARKER: On Ab7 - whole tone scale - more or less randomly struck notes from the 6 notes
MARKER: Sustain pedal down through all this Whole Tone stuff
MARKER: One of the ways to harmonise the modulation back to Cm
MARKER: D/Bb Db/A Ab6/9 G7
MARKER: Bass figure based on Blues scale
MARKER: On Db7#11 Whole Tone Scale again with sustain pedal down-  LH plays Black notes, RH plays white
MARKER: No turn-around bar - straight back to start
MARKER: 'Who's a dirty rascal?' quote
MARKER: Run on F7b9 combining alternately diminished chord and chromatic scale
MARKER: On C7 Whole/half dim scale - no pedal
MARKER: On F13 descending run with changes of direction
MARKER: Ending based on cycle of 5ths harmony finishing on Eb
  • Path: Disklavier Jazz 1/097-Howd (solo).mid
  • Size: 15 KB
  • Updated: January 31, 2026

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